Your truth has marched its way into my heart. Julie Taymor’s film on the multiple life stages of the defining feminist turns what should be a fascinating character study into an embarrassing disaster, Last modified on Tue 29 Sep 2020 10.41 BST. The film is linear in that we go from young Gloria to contemporary Gloria, and yet there’s so much jumbling around in the first hour that it weakens the emotional impact of just about everything. Lorraine Toussaint and Julianne Moore in The Glorias. Read her answers to our Movie Love Questionnaire here. The Glorias’ main conceit of multiple Steinems feels, by contrast, like a shallow gimmick whose potential is squandered by bizarre directing choices – one scene that commutes anger into a red-hued, poorly executed Wizard of Oz tornado dream sequence made me cackle out loud. Freelance writer. Its script is simple yet subversive, eventually creating an impact on the viewer that will have them thinking long after the credits roll. Another film might have mined Steinem’s remarkable life for its complications and contradictions, but The Glorias settles for slapdash iconography – Steinem picks out her signature aviators because as a saleswoman laments they “hide your beautiful face”, and declares “Martin Luther King is leading his civil rights march on Washington. It’s a personal decision. Director: Sebastian Lelio (La Sagrada Familia, Christmas, El Ano del Tigre) Cast: Paulina Garcia, Sergio Hernandez, Diego Fontecilla . The Glorias Director: Julie Taymor Page Fifty-Four Pictures Streaming on Video on Demand and Amazon Prime: 09.30. In the Chilean film “Gloria,” directed by Sebastián Lelio, a heroine in her late 50s embraces passion and romance. Gloria: Thriller 1998 von Lee Rich/Gary Foster mit Sharon Stone/George C. Scott/Bonnie Bedelia. Ryan Kiera Armstrong As a teenager, Steinem cares for her mother (Enid Graham), an invalid struggling with mental illness, in Toledo, Ohio, after Leo abandons the family for the open road. Christy reviewed films for The Associated Press for over 14 years. Gloria ist eine chilenische Tragikomödie des Regisseurs Sebastián Lelio mit Paulina García in der Hauptrolle. Sebastián Lelio's tale of a divorcee in a new relationship perhaps has a wider resonance for Chile's Pinochet generation She's terrific, and manages to convey both a genuine sense of intuition and a vivacious sense of loving life at the same time. Gloria ist ein Drama aus dem Jahr 2013 von Sebastián Lelio mit Paulina García, Sergio Hernández und Coca Guazzini.. Im chilenischen Drama Gloria … The cinematography from the great Rodrigo Prieto (who also shot Taymor’s “Frida”) gives each of these eras a lush and distinctive texture, and the use of stark black and white provides a striking contrast as the various Glorias chat on the bus. It’s such a relief when Moore finally takes the reins from Vikander, but the film still struggles to maintain its tone. For the most part, she’s successful. Review: Honest Thief Is a Dried-Out Rehash of the Liam Neeson Actioner. But at nearly 2 ½ hours, “The Glorias” does feel a touch too long toward the end. The costumes are also key to the portrayal of other larger-than-life feminist figures including Bette Midler as former Congresswoman Bella Abzug, Lorraine Toussaint as lawyer Flo Kennedy and Janelle Monáe as Ms. Magazine co-founder Dorothy Pitman Hughes. Though lonely, she makes the best of her situation and … It’s a missed opportunity to help us understand her beyond her public persona. I wish all the different ideas at play were more cohesive, and quite frankly, better done. They’re all engaging scene stealers in showy, entertaining roles. Most insidiously, it recasts Steinem’s hard-won political evolution into a hero’s journey of magical discoveries, in which she absorbs an intersectional approach through boldly stated themes said by people of color, then exhibits her exceptionalism by merely listening. The movie is honest and sentimental, but never emotionally exploitive. Production: A Page Fifty-Four Pictures production. And the visual tricks Taymor employs to reflect Steinem’s inner state seem like filler, a distraction, even though they’re the kind of inventive flights of fancy the director has become known for through productions like her Broadway staging of “The Lion King” and films including “Across the Universe” and “The Tempest.” A contentious TV interview that turns into a whirling, swirling, “Wizard of Oz” homage is especially out of place. At the center is Steinem—still with us and still fighting at age 86. It takes less than a minute into The Glorias, the director Julie Taymor’s shallow biopic of the feminist icon Gloria Steinem, to realize something is off. I want to cover it!”. Interview: Garrett Bradley on Exploring Human Dimensionality in Time. Die Gloriafilm AG war eine Schweizer Filmproduktionsgesellschaft mit Sitz in Zürich. Running time: 139 MIN. (Steinem was married to David Bale, entrepreneur and environmental activist and the father of Christian Bale, from 2000 until his death in 2003.) Gloria. Der Film wurde im Wettbewerb der 63. Even though Gloria sees the "handwriting on the wall" she has to decide whether she will succumb to this hurtful environment or return to her lonely existence. The nowhere bus, ultimately, colors in with a sea of pink “pussy’ hats and the real Steinem, en route to the 2017 Women’s March in Washington – a genuinely inspiring show of feminist activism whose many rough edges and various hues are, like Steinem’s biography in The Glorias, leached of their power in favor of an easy story. The Glorias review – Gloria Steinem biopic is a laughably shoddy mess. There doesn’t seem to be a reason other than to gesture at depth – one of many baffling artistic choices that turn a nearly two-and-a-half-hour film on what should be a fascinating, mettlesome, complicated character study into an uneven, trite and at times laughably shoddy mess. Also noteworthy is John Tuturro in the film's … She's also on Twitter @christylemire and on Facebook at https://www.facebook.com/christy.lemire2. In … Fünf Jahre nach seinem ersten „Gloria“-Film bringt der chilenische Regisseur Sebastián Lelio eine amerikanische Adaption seines Films in die Kinos. Review: Gloria. The screenplay by Taymor and Sarah Ruhl splices scenes from Steinem’s life into a narrative whose general trajectory is chronological but seesaws awkwardly between the years. Published February 23rd 2014. A review of The Glorias, a Gloria Steinem biopic in which Julianne Moore and Alicia Vikander are among the multiple actors who play the feminist icon. Sitting side by side, the wind in their center-parted hair, Vikander-as-Steinem laments to Moore-as-Steinem that she wishes she’d spoken up and fought back more when male colleagues and editors discouraged, objectified harassed her. Gloria Steinem has lived such a long and significant life that it takes four actresses to play her—including two Oscar winners—in “The Glorias.” That device of having multiple performers portray the veteran journalist and activist, and sometimes even having them engage in conversations with each other, is the most effective element of director Julie Taymor’s effort to encompass a whole, complicated life while also avoiding traditional biopic tropes. Julianne Moore as Gloria Steinem and Bette Midler as Bella Abzug in The Glorias. But instead of meaningful conflict, The Glorias, based on Steinem’s 2015 memoir My Life on the Road, presents Steinem as an unerring and widely appealing hero, one who can drop into a bar in South Dakota, as Moore’s iteration does in the film’s opening minutes, and receive praise from a female biker for inspiring her to “take to the road on my own” before speeding away in the reflection of Steinem’s signature aviator shades. Black feminist leaders such as Dorothy Pitman Hughes (Janelle Monáe) and Flo Kennedy (Lorraine Toussaint), labor rights leader Dolores Huerta (Monica Sanchez), and Native American activist and real-life best friend Wilma Mankiller (Kimberly Guerrero) serve merely as imparters of wisdom quickly huddled under Steinem’s star power rather than complicating, sparring minds of their own. Christy Lemire is a co-host of the YouTube film review show "What the Flick?!" In Theaters: Jan 17, 2014 Limited. It’s a shame, because the bantering of The Glorias has at its core a worthwhile message: that a woman can grow into owning her choices, and can synthesize her personal experiences into a coherent, expansive political philosophy. The movie adheres to that road, but makes it way more of an uphill climb. Gloria - Film Review Home > Everywhere > Cinema | Film Reviews | Movie Reviews. Film Reviews . Still, “The Glorias” is consistently a visual treat, as you’d expect from Taymor. Gloria ist eine Hommage an eine ältere Frau (wunderbar gespielt von Paulina García), an eine »Nebenfigur«, wie Regisseur Sebastián Lelio sagt, der dabei seine Mutter vor Augen hatte, eine, die keine Weichen mehr stellt für die Schicksale anderer, die ihr Leben schon einmal gelebt hat, die ohne Groll auf ihre auseinandergebrochene Familie weiterlebt, mit ihrem Körper, ihren unbefriedigten Wünschen, mit … Moore plays some of the feminist movement’s greatest iconographic hits – the 1977 National Women’s Conference, the first issue of Ms Magazine – as the fully grown Steinem. It elevates your mood to such a point that you wish you could hug the screen out of sheer joy and recognition. It gives meaning to an entire project, an entire life, in the fact of deeper, darker adversity in the days ahead. Music. On Rotten Tomatoes the film has a "Certified Fresh" approval rating of 99% based on 128 reviews, with an average rating of 7.9/10. The lost opportunity is highlighted by Mrs America, a show released earlier this year, which reanimates the feminism culture wars of the 1970s with nuance. The Glorias’ conversations on a bus ride that serves as the film’s through-line illuminate this arc further. for some language and brief lewd images. Just when you think she’s heading into cliched territory, Taymor mixes it up, plays with structure, and subverts your expectations. Directed By: Sebastián Lelio. as Young Gloria Steinem, The TV Homages of WandaVision are an Amusing, Unfulfilling Distraction, On the Disempowerment of Promising Young Woman, Entertaining 30 Coins Examines Depths of Evil with Style. Melbourne based cinephile. It’s also enlightening, on the heels of the excellent Hulu series “Mrs. The 75 Best Horror Movies of the 21st Century . Working from a script she co-wrote with Sarah Ruhl, based on Steinem’s autobiography My Life on the Road, Taymor hops around in time between Steinem’s youth in Toledo, Ohio and her worldwide travels in her 20s through the beginnings of her writing career and her key role in the women’s liberation movement of the 1960s and ‘70s. The elder Steinem reassures her that she will eventually: “Plenty of times, lots of times, speaking your mind will get you into trouble,” she tells her younger self with an amused smile at the memory of her own feistiness. And the clothes from legendary costume designer Sandy Powell are, as always, to die for; far more than an elaborate and groovy game of dress-up, Steinem’s clothes tell a story all their own in signaling her development, from the slim minidresses she wore as an ambitious young journalist to what became her go-to uniform of a black, long-sleeved top, black pants and boots. Review: This Is Not a Movie Is a Smart, Clear-Eyed Tribute to Robert Fisk. Internationalen Filmfestspiele von Berlin mit dem Silbernen Bären für die beste Darstellerin ausgezeichnet. Mrs America’s Steinem, played guilelessly by Rose Byrne, falters in judgment, grapples with her notoriety and instinctive press magnetism, and learns from the thorny gaps between the utopian vision of Ms Magazine and its actual environment for black and queer editors. I thought this movie, directed and co-written ( with Gonzalo Maza) by Chilean filmmaker Sebastian Lelio, lost its' way at times and became difficult to watch. And sadly, what she has to say is just as relevant now as it was 50 years ago. 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